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Join us to celebrate the bicentenary of Bedřich Smetana, the Czech composer whose melodies have echoed through generations and whose music includes the enchanting cycle of symphonic poems My Country and the popular opera The Bartered Bride.
Delve into Smetana’s fascinating journey with us as we explore his tumultuous life, his unwavering nationalist spirit, and his enduring impact on the Czech musical heritage.
From the heartrending strains of his orchestral works to the poignant tales woven into his operas, Smetana’s oeuvre captures the essence of Czech identity and resilience.
Our distinguished panel of experts, including Jan Smaczny, emeritus professor at Queen’s University Belfast, Dr. Thomas Jaermann, composer and musicologist, and Sandra Bergmannová, Director of the Bedřich Smetana Museum, will reveal the mysteries behind Smetana’s life and work.
Tomáš Hanus, Music Director of Welsh National Opera will discuss (via ZOOM from Brno) the latest production of Smetana’s opera Dalibor, directed by Sir David Pountney in Brno which he conducted.
Chaired by John Allison, Editor of Opera magazine.
Tickets @ £6.13 via Eventbrie link below
Part of the Year of Czech Music and Smetana 2024.
In collaboration with the Czech Tourism.
Sandra Bergmannová is the Head of the Bedřich Smetana Museum – National Museum in Prague. She is one of the main authors of the exhibition Famous Czech Composers (2020-2022) and the books of the same name in Czech and English. In the research on the life and work of Bedřich Smetana she specializes on creating of the online catalogue of works and is head of the project of the critical edition of the 3rd volume of Smetana’s correspondence (1875-1879). Previously she worked as a musicologist at the Bohuslav Martinů Institute in Prague, where she stood at the beginning of the crucial projects, such as: digitisation of Bohuslav Martinů’s works, Martinů database online, and Bohuslav Martinů Complete Critical Edition.
Tomáš Hanus, Music Director of the Welsh National Opera, is recognised as one of the Czech Republic’s most exciting and important conductors. He has conducted at major European opera houses including the Wiener Staatsoper, Bayerische Staatsoper Munich, Royal Danish Opera, Oslo Opera House, Teatro Real Madrid and the Teatro alla Scala. In demand as a conductor of symphonic music, he has conducted many prestigious orchestras including the LSO, SWR Symphonieorchester Baden-Baden, Czech Philharmonic, and the BBC Symphony Orchestra. He opened the 2023 Prague Spring Festival with WNO Orchestra with Smetana’s Ma Vlast. In February 2024 Tomáš returned to the Brno Theatre with a new production of Dalibor.
Originally from Zurich, Switzerland, Dr Thomas Jaermann obtained a PhD in musicology from the University of Zurich for his research on music and national identity. His postdoctoral research resulted in the award of the inaugural Recognition Prize from the G. A. Derungs Foundation for his compilation of a catalogue of the complete works by Swiss composer Gion A. Derungs. Since moving to the UK, Thomas has taught music and German at independent schools in the London and South East areas. His current research involves the life and work of composer Bedřich Smetana and his most recent invited paper on Smetana was presented as part of the 2023 international conference on Bedřich Smetana and European Opera in Litomyšl, and is due to be published in 2024. Thomas also composes music including piano, chamber music and orchestral film scores.
Jan Smaczny is well known as an authority on many aspects of Czech music. His publications include books on Dvorak’s B-minor Cello Concerto, the repertoire of the Prague Provisional Theatre, many articles, chapters and major encyclopaedia entries on Czech music and culture as well as edited volumes on Irish Music and Bach’s B-minor Mass. Jan is a graduate of Oxford University and studied for two years at the Music Faculty of the Charles University, Prague. He is the Sir Hamilton Harty Professor of Music Emeritus at Queen’s University, Belfast.
Chair:
John Allison is Editor of Opera and Music Critic on The Daily Telegraph. He has written for leading newspapers around the world, including the New York Times, and is a regular contributor to BBC Music Magazine. He is the author of two books (Edward Elgar: Sacred Music and The Pocket Companion to Opera), and has contributed articles to the New Grove Dictionary of Music and Musicians and New Penguin Opera Guide, as well as several chapters to other books. He edited the Glyndebourne Festival programmes from 2000 to 2012 and now acts in a similar capacity for Wexford Festival Opera. A jury member at many international music competitions, he also co-founded the International Opera Awards in 2013
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